Tuesday, May 06, 2008

What's Going On

This blog's been quiet as of late not out of neglect but more out of schedule. A million projects, coupled with a million prints and a million pictures to make (ok maybe subtract 840,543 out of that equation).
I couldn't be happier then this morning to receive the news that good friend, mentor and artist Dawoud Bey has started up a blog of his own. Dawoud is a man of a thousand stories and now he has the forum to tell you all. He begins already with a post on the Art fairs in Chicago and a seemingly simpler era of the 4th St. Photo Gallery.
Check them out:
What's Going On?

I'll surely be checking daily for posts.

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Friday, May 02, 2008

Something is happening in the Art World, right now.


Scope Fair, NYC 2008

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Tuesday, April 22, 2008

This Week

Woah. Tons of events this week in conjunction with the Art Fairs. My social anxiety is kicking in just looking at it all.
There is indeed many good things, the Art Fairs (look for my work at Robert Koch Gallery and Rhona Hoffman); the SAIC exchange show curated by Marco Poloni that opens on Fri. (Ed Winkleman recently discussed on his blog); the SAIC MFA Photo students; Ben Gest's new work looks exciting; Cecil McDonald; oh my...
Starts off this evening.

Tuesday:

Mind the Gap, Contemporary German Photography
Manuela Barczewski, Sonia Jimenez Alvarez, Annette Jonak, Sabrina Jung, Anatasia Khoroshilova, Anne Lass, Patricia Neiligan, Almut von Pusch, Rivkah Young
Opens Tues. 6-10pm
Country Club
1100 N Damen Ave.
Show runs from April 23d - 27th 3-6pm

Wednesday:

Julia Hechtman Lecture
Noon
Wed. April 23rd
School of the Art Institute of Chicago
280 So. Columbus Drive
Room 214

Anthony Goicolea Lecture
6pm
Wed. April 23rd
Columbus Auditorium (2nd Floor)
School of the Art Institute of Chicago
280 So. Columbus Drive

Thursday:

Art Chicago, Next, the Artist Project, Artropolis, etc.
Private Preview.
Public hours:
Friday, April 25 11am–7pm
Saturday, April 26 11am–7pm
Sunday, April 27 11am–6pm
Monday, April 28 11am–4pm

Friday:

School of the Art Institute MFA Thesis Exhibitions
Friday April 25 9-11pm
Gallery 2 & Project Space
847 W. Jackson Blvd., 2nd & 3rd Floors
Exhibition hours: Tuesday - Saturday, 11:00 am - 6:00 pm
Extending viewing: April 30 & May 16, 11:00 am - 9:00 pm

Three Hours Between Planes, Contemporary Photography From Chicago and Leipzig
Chicago Cultural Center
Participating Artists: Stefan Fischer, Jill Frank, Sveinn Fannar Johannsson, Stephanie Kiwitt, Chelsea Tonelli Knight, Dominique Koch, Lilly McElroy, Elise Rasmussen, Andreas Schulze, Jan Sledz, Scott Patrick Wiener
April 19–July 6, 2008
78 E. Washington Street, Chicago
Opening reception: April 25, 5–8pm, Gallery Talk: April 25, 5pm

Strange Habit
Curated by Luke Batten
Participating Artists: Shane Huffman, Steven Husby, Emily Kennerk, Curtis Mann and Alice Shaw
I Space
230 West Superior, 2nd Fl.
April 25 - May 31
Opening Reception Friday April 25, 5-8pm

Saturday:

Ben Gest
Stephen Daiter Gallery
311 W. Superior St. #404
April 26 - June 28
Opening Reception Saturday April 26, 5-8pm

Cecil McDonald Jr., "Domestic Observations"
Catherine Edleman Gallery
300 W. Superior St.
April 26 - May 31
Opening Reception Saturday April 26, 6-8pm

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Monday, April 21, 2008

Consuming Images

Been doing some research and writing today and came across this amazing series from Bill Moyers. Now more relevant than ever.

"The Truth is that which sells; if people buy it, it's right" - Stuart Ewen

Part 1


Part 2


Part 3


Part 4


Part 5


Part 6

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Friday, April 18, 2008

Versionfest, Proximity, Ron Olsen and Chicago Events


It's that time of year for the annual Versionfest here in Chicago. Lasts years was a hoot and even made some people nervous. In fact a few hours away from now the Dark Matter group show opens in Bridgeport. I helped a bit with the curating and laying out the show last week and it's looking to be a good one. Dark Matter is a group show which tosses out the distinction between high and low art (let's face it, the artfairs have proven there is little difference), and instead taps into a collective consciousness that artists of all backgrounds seem to be responding to in their practice. Whether activism, collages from food containers, psychedelic vinyl porno drippings or an art informational Elotes cart these artists reach out to form communities, react against hegemonies or simple create laborious works meant to drizzle away time space and escape from one reality by creating another.
This Versionfest also marks a first for me, showing a work from my collection (in addition to one of my Thrift pictures). We included the drawing Ron Olsen made for me 2 years ago. Long time readers of the blog may recall my post on Ron and his drawing of 'perpetual battlefields'. Dark Matter indeed.

Detail from Ron Olsen, 2006 (War In Wal Mart Parking Lot)
Artists include:
Michael Genovese, Kate Bingaman-Burt, Michael T Rea, E.C. Brown, Jefferson Mayday Mayday, JC Hammes, Edra Soto, Adam Farcus, Brian Ulrich, Greg Stimac, Aron Gent, Chris Roberts, Ryan Davies, JJ Stratford, Alice Bradshaw, Randall Garrett, Daniel St george II, Sharon Parmet, Ryan Davies, Natalie Steinmetz, Cole Robertson, Lisa Yu, Christopher Ilth, A.S. Lawrence , Nat Ward, Natalie Steinmetz, Dave the Lightbulb man, Vicki Fowler, Thunderhorse, E*Rock, Neville, Erika Mikkalo, Jenny Inzerillo, J. Byrnes, Mary Balda, Jon Bollo, R.K. Shuquem, Nicholas Schutzenhofer, Jenny Tsiakals, Rose Candela, James Adam, AROE, Oscar Arriola, Juicy, Tony Arriola, Peter KISER Berry, CHILE, Sara Condo, COPE2, COSBE, CRAE, CYCLE, CYFN, Nicky Dieter, EGOR, EVOKE, FACT, GOMA, David COVE Gonzalez, GYROS, Joel DEPTE Ibarra, IRAK, JACK, Rick Jara, JARE, A. Lewellen, MELON, READ MORE, RIBITY, RK9, SHIP!, SIVEL, SMUT, SWEK, SWIS, TELLY, TRUE, TWIST, Ryan Valvick and many others . To see work by participating artists go to this Flickr page .


Another first is the debut issue of Proximity Magazine. If buddies Ed and Rachel Marzewski don't have enough on their plate with running the Versionfest and an art/performance venue, they're created a fantastic new magazine centered on local and global art and art communities. The first issue rocks and is chock full of interviews with curators, artists and writings on empowerment, cultural criticism and Chicagoland cholos. This city just got tons cooler. Buy one and feel your money funding the greater good.

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Friday, April 11, 2008

Jason Lazarus Interview Part 1



I think I've mentioned before what a fan I am of Jason Lazarus' work. His current show up in Chicago, This is gonna take one more night is full of smart, endearing, compelling and the Jay-Laz-brand-of-humor images that have come to define him and his work. I decided to do ask Jason some questions about his show. I also just learned that Jason and I will be showing together in a 2-person show here in Chicago of our photographs from the Wright Commission Jason and I both did last year. So our conversation will continue into a 2 part interview to be posted closer to our opening of that show in May.
Jason's solo show closes tomorrow and he ends it with an all day temporary installation in the space. In addition also on hand will be a self-published catalogue created for the occasion of the exhibition. The catalog is in an edition of 100, each catalogue includes a small editioned print (shown in the attachment), an interview with Karen Irvine from the Museum of Contemporary Photography, and 40 pages of full color recent work...$100.00

Join Jason Saturday, April 12th from 11am - 5pm
This is gonna take one more night
Bucket Rider Gallery
835 West Washington
Chicago IL 60607

Here's Part 1 of the interview:
How are artistic decisions different now vs. 2003.
What things have you held onto?


the self portrait as an artist series is still important today, and to me is the main artery of the work as it was in 2003. in that series in particular, i've held on to the notion of 'play' in the work in order to penetrate, reflect, etc certain themes and ideas. the difference is that i don't have as much work in the self portrait series that is focused on the art world as institution or the notion of an artist in contemporary society...there is work now that is simultaneously political and experiential--standing in cabrini green, underneath a fireworks display that is named 'america's answer'...and so on.


I've known you for a long time and know you to be well schooled in the traditions of photography. (In fact your casual snaps always surprise the hell out of me). Though in your artistic practice you seem to push up against that. Do you see a difference btwn. the two? Is one more 'art' than another?

No not at all...I am always pining to make work that is like eggleston/christian patterson and do occassionally. i think i am focused on one way of working right now and i have to find that right time/place to flex those other muscles--pure visual play...although i think that is one thing i may work on in vienna, austria--i'll be there for a residency for 2 months this summer. i always fall back to some kind of conceptual structure, and that is my strength i think. i like the pressure this approach causes to really investigate an idea.


Your work combines photographic and artistic practice in a few ways; it makes the personal apparent, it addresses social issues and finally retains some sense of irony and cleverness (or straight up comedy). Often it does this in one picture. Is one more important than another?

to me what is important is, as it does in the self portrait as an artist series, it veers back and forth. in the exhibition that is up right now...you have a picture that is a long exposure of fireworks entitled, "Entire three minute duration of 'America's Answer' fireworks package" and this picture is 59x74" and is next to a 16x20" picture of a plant sitting on a windowsill at night called "End of summer lover, the plant on her windowsill". not only do these pictures play off each other physically but one is very interior, brooding, still, and the other is very public, political, and visually seductive. playing in the continuum of these two poles is what makes photography fun, interesting, and satisfying...that series is about the notion of an examined life--and that can contain many seemingly disparate elements. the place where those pieces coalesce is my interest.


When speaking with my class at your exhibit the other day, several of them commented that hearing your explanation and discussion of the work made it complete. Is there a concern that ambiguity might win over narrative?

yes, very much so. i have the self portrait series which is visually disparate, a diptych from the Living with a portrait series, a picture from the Wright commission, and a diptych from an artist book called "The last rose of summer on my nightstand," as well as a back room filled with 3 pieces from the Nirvana project. the show is demanding of the viewer and i don't assume everyone wants to come along for the ride. on the other hand, it's the show i wanted to mount because there are some interesting intersections among the multiple series and i wanted to investigate that. i have faith that the whole is greater than the sum of the parts. also, chicago is my artistic hometown, so the place to mount a show like this is here, and hopefully some people navigate it to their delight!

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Wednesday, April 09, 2008

Biggie Auction Time (Coast to Coast)


Untitled, 2006 Thrift 0609, c-print 30x40" ed. 1/5
Quite an honor to be included in 2 auctions taking place later this week.
It's also humbling to know that many of the organizations/venues many think have the powers to define artists are themselves struggling to get by as well. Art institutions are built on donations. Blindspot doesn't run many ads at all so revenue is built upon your support. Auctions are a case where everyone wins as you can contribute and potentially go home with artwork.
Here's the details:
Museum of Contemporary Art San Diego
Wednesday, April 9, 2008
MCASD
La Jolla, CA


Untitled, 2005 Thrift 0509, c-print 30x40" ed. 1/5

Blind Spot Auction
Thursday, April 10
Auction Preview at David Zwirner
April 8-10, 10am-6pm
David Zwirner
533 West 19th Street NYC 10011

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